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MOM THE HOOFER.

Michael Shannon

“Bee Jackson was a honey. The Bee’s knees, the original. She was the Berries…..an ankling Baby, the Cat’s pajamas.”

The photo, Beatrice “Bee” Jackson (1903 – 1933) was an actress and dancer. She was born in Brooklyn, New York and grew up in Bound Brook, New Jersey. Her mother was a former actress. As a child, Jackson loved to make up dances to the music of her toy phonograph.

She was known as the Charleston Queen, and while she didn’t invent the dance (some believe the dance originated from an African-American dance called the Juba), she was one of the dance’s most prominent advocates. Blonde and vivacious, Bee Jackson had the world in the palm of her hand. At fifteen years old, she was a chorus dancer in the Zeigfield Follies. Eventually, she toured Europe, had royalty chasing after her, and was a member of high society. A celebrity of the highest degree, Jackson’s legs were insured for $100,000, almost 25 years before Betty Grable did it.

She danced through her early years with her favorite toy, a phonograph. ‘I danced because I loved it’ she said and simply worked out steps to her favorite tunes even though she had no conception of routine; that intricate pattern that is weaved into a dance.


Bee’s mother, Grace Jackson, a former actress, acted as her manager and influenced her decision to focus on the exciting new steps. The popularity of the “Charleston” dance was taking off like a skyrocket in 1924. At that moment, Bee was at, or at least very near, the epicenter of the phenomenon and was equipped with the right skills to capitalize on its success. She was just one average dancer among a herd of competitors, however, and she needed a clever angle to carve out a path to fame and fortune. Their solution was to strike out as touring act and show the dance to audiences far beyond the Big Apple. To increase Bee’s marketing appeal, she began presenting herself in 1925 as the originator of the “Charleston” dance, or at least the person responsible for transferring it from South Carolina migrant former slaves to New York and the white community.


She might not be a household name any more, but images of Miss Jackson have been reproduced in hundreds-perhaps thousands-of books, magazines, and webpages devoted to the effervescent “Roaring Twenties.”

My mom and her sister Mariel were right on time. The best of pals, born just a year apart. They were oil patch kids and moved from place to place in California depending on where there father, a Driller happened to be sent. My grandfather said they lived in every God forsaken town in southern California. The oil business was populated by some pretty rough characters. Out on the lease you never knew what you were going to get. There were pistols carried, a sheath knife was de riguer both for the work and perhaps to settle a dispute. Most roughnecks, a perfect name for the men who traveled looking for work, mostly single, not much education and half exhausted most of the time. Add the booze and the hootchie coothie girls and things were ripe for trouble. My grandparents never liked living on the leases mostly to protect their three kids.

They were pretty lucky when the girls were entering their teens, most of the work of my grandfather stretched from Huntington Beach north to San Luis Obispo county. They bounced around a lot, Compton, Long Beach, Belmont Shores, Artesia, Signal Hills, Bolsa Chic and Wilmington , wherever there was a rig, they were.

In those days Los Angeles had a street railroad mock lovingly dubbed the Red Cars. The red may have been flashy when they were new but that had long since faded to the color of a red shirt too long washed and worn.The electric street cars were everywhere and for small change you could ride from Balboa out to Redlands or up as far as San Fernando, a thousand miles of track that covered all of Los Angeles county.

Pacific Railway was a private company originally built by the company to promote new suburbs in the outer reaches of the city. It was a boon to property developers and served it’s purpose for many years. The rise of the automobile eventually drove the line into bankruptcy.

LA is the quintessential car city. This is ironic, given that LA was built around the largest electric railway system in the world. The suburbs that you see all over greater LA, the 1920s copy-pasted bungalows which are everywhere, were designed to function in tandem with the old Pacific Electric Railway. You can still see the traces today. For example, if something is named “Huntington”, like Huntington Park, Huntington Beach, the Huntington Library and so on, it’s pretty likely named after Henry Huntington, the Pacific Electric Railway’s owner.*

In my mothers teenage years most kids did not own cars. It was the Red Cars or nothing; or you could walk. It was only 33 miles from Long Beach to downtown.

So my aunt Mariel, my mother and their friends like to hop the cars and rattle around all the hot spots of the time. On weekends they would go dancing at Santa Monica or Ocean Park or best of all all the way to the Biltmore. In downtown LA the Biltmore Hotel was the largest hotel west of Chicago. Built in 1923 it was considered the finest in California. With more than a thousand rooms it was located opposite Pershing Square in the heart of downtown.**

Most importantly for my mother and her friends was the basement nightclub known as the Biltmore Bowl. With it’s two story ceiling and with a size that would accomodate 2,000 dancers and guests, it had hosted 8 Academy Awards ceremonies since its opening. Saturday nights it would be standing room only. The girls played dress up trying to look like stars themselves. Oh so suave, smoking in the days fashion, mom said they were swivel necks looking to see if any famous Hollywood stars were to be seen. The saw Olivia De Havilland and Lucy and Ricky Ricardo on occasion.

Dancing was the point though. Dressed in their best they nursed their Ginger Ales, mom said that the Shirley Temples were too sweet and “Icky” a sentiment echoed by Shirley herself.

The depression was the heyday of the big bands, Artie Shaw, Benny Goodman or the Glen Miller touring orchestra belting out the hits of the day. Artie Shaw’s Begin the Beguine*** just as smooth as velvet, begging you for a dance. My mother spinning across the floor, ankle length skirt swirling, hem clutched in one hand her low heeled pumps gliding over the corn starched floors, head flung. back hair flying and smiling to beat the band.

Exhausted girls sleeping in the Red Car, piled like tired puppies dreaming of future glamorous nights.

When my grandfather was transferred to Arroyo Grande in 1940 she met my father. While they were courting they used to take his little grey Plymouth coupe down to Pismo Beach to go dancing at the Pavilion. Though Pismo was a tiny little town it had it’s full compliment of Saloons, bars and dance halls. A soupcon of titillating danger hung over it all, especially at the beginning of the war when herds of soldiers from all the military bases flocked to the place. My Dad always said was where the “Debris meets the sea.” There was anything a young man from the sticks could imagine. Pool halls filled with slickers, the filipino gambling halls with, convenient cribs out back and the Beer bars like Mattie’s where, dressed in a silk blouse and velvet trousers. she would hustle those boys by buyin’ the first round for free and pointing out her apartment building down by the pavilion where her Taxi dancers dwelled.****

During the war masses of soldiers in training meant that the ballrooms and dance halls did a booming business. There was no slackening of business for the big touring bands like the Dorsey Brothers and Benny Goodman who swung through town on their way to the big cities. Every forty miles or so there was a stop on the railroad as they traveled around the country, from Tijuana to Seattle and points east.

It’s hard to imagine my Dad trippin’ across the floor but he was a young man in his prime, loved to write music and was captivated by this glamorous girl from the big city. If she wanted to go dancing, they would.

Barbara Hall and husband to be George Shannon 1943.

Fast forward to 1960 and as Kevin Bacon so aptly said, “lets dance.” Boys entering teengedom needed to learn to shake a leg. Mom was right there. She put on an old vinyl record that she kept in the huge piece of furniture, the squatting beast of Cherry wood the television lived in, along with it’s companion the radio and phonograph. In the cabinet below were records kept and carried for decades. Dance tunes, crooners like Der Bingle, Bing Crosby whose hot buttered voice poured like chocolate syrup when he sang. As music went he was the be all and end all of music for my dad who looked on Sinatra and Elvis fwith suspicion. Not so for my mother.

She had me help her roll the hooked rug in our living room. She mopped the wooden floor boards underneath and when they dried she sprinkled cornstarch across it.

She turned to the cabinet, swung the needle arm, set it on an old, old record so brittle it might crack at a hard look. A quick move to the toggle to start and the high pitched tone of clarinets sprang from the speakers clothed with that nubbly brownish fabric sprinkled with flecks of gold spun music like the notes in a Disney cartoon.

Bum bump, bum bump, bum bumpa bump bump bump, the beginning notes of the Charleston jumped from the beast with the beat that moved the feets. I stood facing her as she danced, stopping every so often to explain what to do.

She taught the Lindy Hop, named for Charles Lindbergh’s hop across the Atlantic, the Black Bottom, the Fox Trot and how to Waltz. She could even Twist.

“Shake it, shake it, Baby, let’s do the twist,” yeah, a forty two year old farm wife, a woman with her hair in rollers, dressed in peddle pushers, apron swaying with the beat, shoes slippin” across those old hardwood floors of the house I grew up in. I can still see her. Close your eyes and you can too.

*Henry Edwards Huntington (February 27, 1850 – May 23, 1927) was an American railroad magnate and collector of art and rare books. He settled in Los Angeles, where he owned the Pacific Electric Railway and substantial real estate interests. He was a major booster for Los Angeles in the late 19th and early 20th centuries, and many places in California are named after him. His uncle Collis P. Huntington became one of The Big Four who built the Central Pacific Railroad, one of the two railroads that built the transcontinental railway in 1869. His greatest legacy is the world famous Huntington Library Museum in San Marino California. He is buried in the gardens there. https://www.huntington.org/

**Pershing Square is a small public park in Downtown Los Angeles, California, one square block in size, bounded by 5th Street to the north, 6th to the south, Hill to the east, and Olive to the west. Originally dedicated in 1866 by Mayor Cristóbal Aguilar as La Plaza Abaja, the square has had numerous names over the years until it was finally dedicated in honor of General John J. Pershing in 1918.

***Begin the Beguine, Artie Shaw, written by the inestimable Cole P rter,https://www.youtube.com/watch?v=cCYGyg1H56s

****Taxi Dancers is a term applied to young women who danced for a dime at dance halls. “Dime a Dance.” It was a flexible world if you know what I mean.

Cover Photo: Beatrice “Bee” Jackson

Michael Shannon is a writer, surfer and traveler. He writes so his children will know where they came from.

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Four Men

The long polished Mahogany table as seen through the little nook off the living room, an opening on the left where the swinging door to the kitchen stood propped open with a fold of newspaper and at the end of the room a window with its Venetian blinds open looked out to the side of Mrs Lake’s home stuccoed in beige and with a little imagination you could see a long stretch of featureless desert sand. Before the glass, sat four grown men.

I could watch them at a distance and have always wondered what it was of which they spoke. Hand on fist I would sit on the little brick hearth of my grandparents home in Lakewood and try to listen.

Gathered together around the every day tablecloth that would be changed for Thanksgiving dinner later that day sat my Grandfather Bruce Hall. A man who had labored nearly four decades in the oilfields of California. He was now the superintendant of drilling for the state of California. From oilfield roustabout to the top of the heap at Signal Oil and Gas. He wore his rumpled, baggy khakis and a white long sleeve shirt with the collar open and the sleeves rolled halfway. Spectacles over the lower half of the nose, his bald head encircled by a fringe of hair smelling of Wildroot. He seemed to me to be perpetually tired. He’d already had the first of the heart attacks that would in a couple of years kill him. A lifetime of filterless Chesterfields, one of which, smoldering he held with three fingers, idly scraping the ash from on the edge of the ashtray, a green baize bag filled with bird shot and a shallow brass bowl. He leaned forward on his elbows a half smile on his face.

My Dad sat next to him in his ever present flannel shirt and blue Levi’s his uniform of sorts the mark of a farmer. He was forty three. He sat in his customary pose, elbows braced on the table a half smoked cigarette in his right hand pinched behind his upper knuckles, I can’t remember ever seeing him sitting any other way. At his elbow a half filled bottle of bourbon being occasionally lifted with the comment, “Another drop?” No ice either, whiskey straight no frills, or as my dad told me, “Ice dilutes and pollutes the Bourbon. Bartender puts it in to short the pour.”

There was a glass at each mans hand, no fancy fat little crystal glasses, grandma had them but they mostly sat in the sideboard gathering dust. No, these man drank from kitchen glasses and in those days it was likely a jelly jar, not the canning Mason or Kerr but the old fashioned one that came from the Jewel Tea truck, full of, and always in that household, blackberry jelly, the kind that you had to pry the lid off with a church key. Practical men they were but at the same time would never drink straight from a bottle. Class of a sort.

Uncle Ray sat at grandpa’s other hand. His dark blue shirt with the mother of pearl buttons marked him as a cowman. In his late forties he was a little on the portly side, the shirt held in with a plain leather belt and a small not so fancy buckle. His old fashioned black levi’s turned up at the cuff a good four or five inches covered most of what were hand-tooled cowboy boots for thats what he was, a dyed in the wool, genuine cowman who could fork a horse as good as any. Better than most really for he was known through the Sierra Nevada as “Powerhouse” after, on a bet, put his horse Brownie over the side of the hill at the Kings river penstocks and rode her almost straight down as if it was nothing. A feat of horsemanship that gave him the name. If you ever get up there you’ll see what I mean.

I remember him most for his laugh, a sort of lung deep basso cackle, really indescribable but still one of the greatest laughs I have ever heard. He didn’t hog it either it was as if it was just idling down in his throat ready to spring to the surface on any occasion.

Ray Long was such an original cowman, at that time already a vanishing breed that he had taken on the characteristics of the horses he rode. He was missing the molars on one side of his jaw and when he tipped his head back to laugh he looked just like a horse did. Horse laugh my dad called it.

The fourth that made up the quartet was my uncle Bob, Robert Preston Hall. At thirty five just a youngster. My mother’s youngest sibling, the only boy of that generation. He grew up with two older sisters and one younger who adored him. My aunt Patsy always said he was as caring as any parent.

He leaned back in his chair right arm hooked over the back with an elbow, his legs crossed at the knee. His white shirt collar unbuttoned had short sleeves, something I never saw the other three wear, ever. Cigerette pack in the pocket, he held one in is right hand. His jet black hair, slicked back shone in the light and sitting on his nose, old-fashioned steel rim, round spectacles. Topping it all off, he wore a thin mustache, the kind we used to call the “Boston Blackie.” He had an elegant long straight nose and a family trait inherited from grandpas’ family, Jug Handle ears. Mom said they were like airplane flaps and would slow you down when you came in for a landing.

Uncle Ray loved to tease and used the family ears as nicknames for one of his sons and me. Ears like that, guess they didn’t hurt Clark Gable none. He was an oil man too in his younger days. They had that in common.

They were different looking men really, no two looked alike but they had things in common. They could be absurdly funny and the well jest turned earned high praise in our family. The were men of the land all of them farmers and ranchers at heart with deep roots in the ground. Practical and pragmatic, they wasted no energy on frills. None of them liked to wear suits if they could avoid it and they did at all costs. The best you could get out of my dad was a sports coat and slacks.

They were all good with kids. I have friends I grew up with who still remember my dad handing out quarters at gatherings which meant something in those days. Uncle Ray made you feel like you were a grownup but wasn’t above squirting you with milk while milking either. Uncle Bob had the salesman gift and told me very first dirty joke though it barely made the grade as such.

The thing I most remember is they were grownups who stood for something. Kids were great but still kids. They shared very little about adult life. They did their best to keep all that at a distance to keep you safe. Your were a kid and they were adults, it was important that they kept it that way. They taught much more by example and were pretty content for their children to find their own way with as little guidance as possible.

Once my oldest cousin who was about fourteen and though pretty well of himself sauntered in and pulled out a chair and sat. He interjected some comment into the conversation and they all turned to look at him. No one answered. A moment or two passed as they sat silent until it occurred to him that maybe he wasn’t as old or important as he though and he soundlessly slithered out of the chair and beat a retreat.

They bookended an entire generation from one end to the other. They had seen two world wars, the greatest depression, the Korean War, the atomic bomb and each had weathered severe up and downs in the family.

That thanksgiving saw a dozen kids and five families shoehorned into that little house on Pepperwood Avenue in Long Beach, just about the last time we would all be together. Other than seeing them I really didn’t know what they talked about. I wish I had been older so I could really listen but I wasn’t.

Years have past and the questions were never asked. I had other interests and they were famously recalcitrant anyway in the way men of that generation could be. “Oh, you don’t want to know about that,” my uncle Jackie Shannon once said. I did but he just changed the subject. Every person you will ever know dies with secrets and stories you will never hear. It’s a shame.

Michael Shannon is a writer. He lives in Arroyo Grande, California.

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